1 00:00:11,300 --> 00:00:13,832 NARRATOR: Previously on "Queens of Mystery"... 2 00:00:13,834 --> 00:00:15,065 - [BULBS POPPING] - Aah! 3 00:00:15,067 --> 00:00:18,465 Must you overreact every time, you stupid girl? 4 00:00:18,467 --> 00:00:19,534 Look out! 5 00:00:21,100 --> 00:00:23,298 This wasn't an accident. It was murder. 6 00:00:23,300 --> 00:00:25,465 We found this backstage. 7 00:00:25,467 --> 00:00:27,198 Forensics have found a set of prints. 8 00:00:27,200 --> 00:00:28,599 Fiona Hutton. 9 00:00:28,601 --> 00:00:30,067 JANE: Everything okay, Fiona? 10 00:00:31,100 --> 00:00:32,165 What are you doing?! 11 00:00:32,167 --> 00:00:34,432 Aaah! 12 00:00:34,434 --> 00:00:36,799 I want no stone unturned, Stone. 13 00:00:36,801 --> 00:00:38,300 Help me! 14 00:01:36,583 --> 00:01:41,583 Subtitles by explosiveskull 15 00:01:47,167 --> 00:01:49,966 [CAWS] 16 00:01:49,968 --> 00:01:52,167 [BELL TOLLING] 17 00:02:05,968 --> 00:02:08,432 Quentin Glover's untimely death 18 00:02:08,434 --> 00:02:10,532 was a matter of grave concern, 19 00:02:10,534 --> 00:02:12,765 but Matilda would be lying if she didn't admit 20 00:02:12,767 --> 00:02:16,031 to at least some small hint of excitement 21 00:02:16,033 --> 00:02:19,167 at the thought of seeing Dr. Daniel Lynch again. 22 00:02:21,601 --> 00:02:23,198 Sorry I'm late. 23 00:02:23,200 --> 00:02:24,866 Dr. Young. 24 00:02:24,868 --> 00:02:26,098 Doctor? 25 00:02:26,100 --> 00:02:27,765 Daniel sends his apologies. 26 00:02:27,767 --> 00:02:29,866 And until he makes an honest woman of me, 27 00:02:29,868 --> 00:02:30,899 it's Miss Young. 28 00:02:30,901 --> 00:02:32,467 I'm a surgeon, not a doctor. 29 00:02:33,868 --> 00:02:34,934 Right... 30 00:02:37,434 --> 00:02:38,765 Two stab wounds. 31 00:02:38,767 --> 00:02:40,131 First one's deep. 32 00:02:40,133 --> 00:02:41,699 Most likely the fatal blow. 33 00:02:41,701 --> 00:02:44,232 Second one is purely decorative, 34 00:02:44,234 --> 00:02:46,198 used to pin whatever this is to his chest. 35 00:02:46,200 --> 00:02:48,098 It's an article he wrote about the play, 36 00:02:48,100 --> 00:02:49,198 and not a very nice one. 37 00:02:49,200 --> 00:02:51,100 Megan, isn't it? 38 00:02:55,534 --> 00:02:57,532 Estimated time of death? 39 00:02:57,534 --> 00:02:59,031 Within the past two hours. 40 00:02:59,033 --> 00:03:00,832 How long's Fiona Hutton been in custody? 41 00:03:00,834 --> 00:03:02,899 Long enough to be ruled out. 42 00:03:02,901 --> 00:03:04,065 THORNE: We're assuming that whoever killed Glover 43 00:03:04,067 --> 00:03:05,131 raised the platform. 44 00:03:05,133 --> 00:03:06,966 It wasn't a scheduled part of the play, 45 00:03:06,968 --> 00:03:10,398 and no one's come forward to say they did it by mistake. 46 00:03:10,400 --> 00:03:12,031 This Amy Austen who's gone missing... 47 00:03:12,033 --> 00:03:13,398 Is she the same Amy Austen that attacked 48 00:03:13,400 --> 00:03:14,465 Glover's car with a cricket bat? 49 00:03:14,467 --> 00:03:15,565 MATILDA: Sir. 50 00:03:15,567 --> 00:03:17,165 I want her found and questioned. 51 00:03:17,167 --> 00:03:18,832 And Fiona Hutton? 52 00:03:18,834 --> 00:03:20,767 Release her, pending further investigation. 53 00:03:27,667 --> 00:03:31,398 Two ex-husbands murdered in as many days? 54 00:03:31,400 --> 00:03:34,799 Oh! It's more than a fragile heart can take. 55 00:03:34,801 --> 00:03:37,265 You never mentioned you were married to Quentin Glover. 56 00:03:37,267 --> 00:03:40,332 Oh, it was very early in my career. 57 00:03:40,334 --> 00:03:42,565 I was a magician's assistant. 58 00:03:42,567 --> 00:03:45,765 I was young, impulsive. 59 00:03:45,767 --> 00:03:47,232 Thought it was true love. 60 00:03:47,234 --> 00:03:48,799 Until you met Sir Lawrence. 61 00:03:48,801 --> 00:03:51,632 Quentin was very understanding about it. 62 00:03:51,634 --> 00:03:55,765 Well, even he could see the chemistry between me and Larry. 63 00:03:55,767 --> 00:03:57,332 Still, he must have felt betrayed 64 00:03:57,334 --> 00:03:59,031 when you left him for Sir Lawrence. 65 00:03:59,033 --> 00:04:01,298 If he did, he never showed it. 66 00:04:01,300 --> 00:04:02,332 [DOOR OPENS] 67 00:04:02,334 --> 00:04:03,932 Terrible timing. 68 00:04:03,934 --> 00:04:07,868 Still no sign of Amy, and we open tomorrow night. 69 00:04:15,767 --> 00:04:17,932 Don't suppose you'd consider? 70 00:04:17,934 --> 00:04:19,966 [SIGHS] 71 00:04:19,968 --> 00:04:22,467 You want me to take Amy's role. 72 00:04:24,567 --> 00:04:25,599 KENNETH: Would you? 73 00:04:25,601 --> 00:04:27,699 Look, surely I'm too old. 74 00:04:27,701 --> 00:04:29,298 Cor, my darling, don't be so ridiculous. 75 00:04:29,300 --> 00:04:31,765 You look a million dollars. All right? [CHUCKLES] 76 00:04:31,767 --> 00:04:34,932 It'd be a privilege for everyone in the audience. 77 00:04:34,934 --> 00:04:36,998 Imagine their little faces, seeing you play that part. 78 00:04:37,000 --> 00:04:38,934 It'd be like all their Christmases had come at once. 79 00:04:41,501 --> 00:04:46,934 Please. We... We... We're finished otherwise. 80 00:04:49,634 --> 00:04:50,901 Well, if you're sure. 81 00:04:51,901 --> 00:04:52,799 Thank you. 82 00:04:52,801 --> 00:04:54,998 Hmm! Thank you. 83 00:04:55,000 --> 00:04:56,232 I'll let Ursula know. 84 00:04:56,234 --> 00:04:58,832 Uh, before you go... Quentin Glover? 85 00:04:58,834 --> 00:05:00,232 Yeah, such terrible news. 86 00:05:00,234 --> 00:05:02,799 You were seen giving him an envelope yesterday lunchtime 87 00:05:02,801 --> 00:05:05,098 in the Farewell to Arms Arms. 88 00:05:05,100 --> 00:05:06,098 That? 89 00:05:06,100 --> 00:05:07,532 Oh, i-it was tickets 90 00:05:07,534 --> 00:05:10,131 for him and his colleagues at the paper for opening night. 91 00:05:10,133 --> 00:05:12,432 It's... It's tradition. 92 00:05:12,434 --> 00:05:13,868 [CHUCKLES] 93 00:05:14,834 --> 00:05:15,834 Thank you. 94 00:05:17,634 --> 00:05:18,634 [DOOR OPENS] 95 00:05:21,234 --> 00:05:22,799 BETH: I still wish I knew the whereabouts 96 00:05:22,801 --> 00:05:24,599 of Quentin Glover's notebook. 97 00:05:24,601 --> 00:05:27,165 I'm more interested in the whereabouts of Amy Austen. 98 00:05:27,167 --> 00:05:29,198 Did you see the way she swung that bat? 99 00:05:29,200 --> 00:05:31,432 She could definitely have killed Quentin Glover. 100 00:05:31,434 --> 00:05:33,732 I don't know why you're still talking about this. 101 00:05:33,734 --> 00:05:36,198 We promised Matilda we'd keep out of it. 102 00:05:36,200 --> 00:05:38,365 Huh! The way you kept out of Fiona thingy's lithium? 103 00:05:38,367 --> 00:05:40,031 - I came across that by accident. - Pff! 104 00:05:40,033 --> 00:05:43,432 No one rummages in bins by accident, Jane. 105 00:05:43,434 --> 00:05:44,799 CAT: Uh, where's my crisps? 106 00:05:44,801 --> 00:05:46,565 I wanted salt and vinegar. 107 00:05:46,567 --> 00:05:48,198 Okay. 108 00:05:48,200 --> 00:05:50,332 Right, you look for the notebook, 109 00:05:50,334 --> 00:05:51,866 I'll concentrate on Amy Austen. 110 00:05:51,868 --> 00:05:52,832 Agreed. 111 00:05:52,834 --> 00:05:54,332 I think I'll pay a little visit 112 00:05:54,334 --> 00:05:56,234 to the Wildemarsh Watchman. 113 00:06:06,334 --> 00:06:07,632 BETH: Good night. 114 00:06:07,634 --> 00:06:09,334 MAN: Good night. 115 00:06:11,133 --> 00:06:13,432 Although Beth Stone's undercover search 116 00:06:13,434 --> 00:06:14,932 of the Wildemarsh Watchman 117 00:06:14,934 --> 00:06:18,098 would ultimately prove unsuccessful, 118 00:06:18,100 --> 00:06:21,834 it did at least direct her where to look next. 119 00:06:23,834 --> 00:06:26,998 Across town, her sister Cat... 120 00:06:27,000 --> 00:06:29,765 Amy Austen, where are you? 121 00:06:29,767 --> 00:06:32,432 ...was making discoveries of her own. 122 00:06:32,434 --> 00:06:33,599 There you are. 123 00:06:33,601 --> 00:06:37,467 Amy Austen. Real name, Joanna Lurch. 124 00:06:38,567 --> 00:06:41,000 No wonder you changed it. 125 00:06:48,534 --> 00:06:51,133 I am sorry. I... I got distracted. 126 00:06:52,133 --> 00:06:54,232 I'm nervous about tonight. 127 00:06:54,234 --> 00:06:55,532 - [DOOR CLOSES] - DANIEL: Hello? 128 00:06:55,534 --> 00:06:58,267 - Am I at the right place? - Daniel? 129 00:06:59,334 --> 00:07:01,632 I'm looking for Detective Sergeant Stone. 130 00:07:01,634 --> 00:07:04,532 JANE: Yes, come in. 131 00:07:04,534 --> 00:07:06,532 Sorry to bother you at home, 132 00:07:06,534 --> 00:07:09,198 uh, but Fiona Hutton's toxicology results are back. 133 00:07:09,200 --> 00:07:11,767 I thought you'd want to see them. 134 00:07:12,767 --> 00:07:14,065 Yes. 135 00:07:14,067 --> 00:07:16,400 Good. 136 00:07:17,400 --> 00:07:20,133 - Coffee? - Uh, let me get that. 137 00:07:21,501 --> 00:07:23,701 Uh, what am I looking at? 138 00:07:29,567 --> 00:07:32,465 [CLEARS THROAT] Uh, this figure here. 139 00:07:32,467 --> 00:07:33,732 Fiona Hutton had high levels 140 00:07:33,734 --> 00:07:35,732 of a powerful sleeping draft in her system. 141 00:07:35,734 --> 00:07:38,665 Far more than you'd take if you were having trouble sleeping. 142 00:07:38,667 --> 00:07:40,565 So she was drugged? 143 00:07:40,567 --> 00:07:41,966 That would be my conclusion. 144 00:07:41,968 --> 00:07:44,098 Could someone have spiked her drink? 145 00:07:44,100 --> 00:07:46,832 [COUGHS] Uh, um... 146 00:07:46,834 --> 00:07:51,532 Um, it... it would have to be something with a strong flavor 147 00:07:51,534 --> 00:07:54,298 to mask the taste of the sleeping draft. 148 00:07:54,300 --> 00:07:55,634 Like herbal tea? 149 00:07:57,701 --> 00:07:59,732 [CELLPHONE RINGS] 150 00:07:59,734 --> 00:08:01,868 Oh, excuse me. 151 00:08:02,901 --> 00:08:05,065 Terry? Is everything okay? 152 00:08:05,067 --> 00:08:07,432 I've a bit of a situation, Sarge. 153 00:08:07,434 --> 00:08:10,799 Ursula's sister, Zoe, has locked herself in the prop store. 154 00:08:10,801 --> 00:08:12,932 - Okay. - Everything okay? 155 00:08:12,934 --> 00:08:15,398 Ursula Pittman's sister has barricaded herself 156 00:08:15,400 --> 00:08:16,499 in the theater prop store. 157 00:08:16,501 --> 00:08:18,632 - Zoe? - You know her? 158 00:08:18,634 --> 00:08:20,131 Up until a couple of days ago, 159 00:08:20,133 --> 00:08:22,131 she was coming into the theater every morning. 160 00:08:22,133 --> 00:08:24,567 Get your coat. You're coming with me. 161 00:08:28,734 --> 00:08:31,300 I'm gonna hand you over to my sergeant, Zoe. 162 00:08:33,534 --> 00:08:36,265 Hello, Zoe? My name's Matilda. 163 00:08:36,267 --> 00:08:37,432 Go away! 164 00:08:37,434 --> 00:08:38,932 I've brought my aunt with me, Zoe. 165 00:08:38,934 --> 00:08:40,033 You know her. 166 00:08:43,334 --> 00:08:44,332 Zoe. 167 00:08:44,334 --> 00:08:46,065 Jane. 168 00:08:46,067 --> 00:08:48,499 Why don't you tell me what this is all about? 169 00:08:48,501 --> 00:08:49,998 I don't want to. 170 00:08:50,000 --> 00:08:51,732 But I will. 171 00:08:51,734 --> 00:08:53,165 ZOE: Ursula, don't! 172 00:08:53,167 --> 00:08:55,400 You've left me no choice, Zoe. 173 00:08:57,200 --> 00:08:59,131 Zoe has ambitions to be a playwright. 174 00:08:59,133 --> 00:09:00,665 Sir Lawrence agreed to mentor her. 175 00:09:00,667 --> 00:09:02,532 That's why she's been visiting me at the theater. 176 00:09:02,534 --> 00:09:04,599 A couple of nights ago they stayed late at the theater 177 00:09:04,601 --> 00:09:06,031 to work on her latest script, 178 00:09:06,033 --> 00:09:07,634 and Sir Lawrence propositioned her. 179 00:09:08,734 --> 00:09:10,432 Said he'd done a lot for her 180 00:09:10,434 --> 00:09:12,031 and it was time she did something for him. 181 00:09:12,033 --> 00:09:14,599 - Did he... - No, uh, nothing physical. 182 00:09:14,601 --> 00:09:17,832 I thought he liked me for my writing. 183 00:09:17,834 --> 00:09:19,501 Because I had talent. 184 00:09:24,734 --> 00:09:27,031 Zoe, it's Jane. 185 00:09:27,033 --> 00:09:30,031 I've read your work. You do have talent. 186 00:09:30,033 --> 00:09:33,198 It takes courage to be a writer, Zoe, 187 00:09:33,200 --> 00:09:34,499 to put all that stuff 188 00:09:34,501 --> 00:09:36,665 that's whizzing about inside your head onto paper 189 00:09:36,667 --> 00:09:42,133 for the world to examine, to dissect, ridicule. 190 00:09:45,367 --> 00:09:47,665 You have important things to say, Zoe, 191 00:09:47,667 --> 00:09:50,565 things the world needs to hear. 192 00:09:50,567 --> 00:09:53,165 Don't let the thoughtless actions 193 00:09:53,167 --> 00:09:57,601 of one creepy old man drown out your voice. 194 00:10:20,667 --> 00:10:22,198 I'll go sit with Zoe. 195 00:10:22,200 --> 00:10:23,901 Thanks, Terry. 196 00:10:27,968 --> 00:10:30,365 Your argument with Sir Lawrence... 197 00:10:30,367 --> 00:10:32,699 It was about what he said to Zoe. 198 00:10:32,701 --> 00:10:35,765 I'm sorry. She made me promise not to say anything. 199 00:10:35,767 --> 00:10:37,932 I'm so mad at myself. 200 00:10:37,934 --> 00:10:40,265 I knew what he was like. Should've seen it coming. 201 00:10:40,267 --> 00:10:42,732 If things were so bad between you, 202 00:10:42,734 --> 00:10:44,165 why did you keep working for him? 203 00:10:44,167 --> 00:10:46,499 No one else would employ me. 204 00:10:46,501 --> 00:10:48,832 I'm no better than Ian Winterfield. 205 00:10:48,834 --> 00:10:50,599 Ian Winterfield? 206 00:10:50,601 --> 00:10:53,365 No one works as an understudy for eight years 207 00:10:53,367 --> 00:10:54,932 unless they have to. 208 00:10:54,934 --> 00:10:57,565 If you're not happy here, dear boy, 209 00:10:57,567 --> 00:10:59,265 I wish you every success 210 00:10:59,267 --> 00:11:02,868 in finding gainful employment elsewhere. 211 00:11:05,767 --> 00:11:07,165 Especially as, in all that time, 212 00:11:07,167 --> 00:11:10,499 Sir Lawrence never once let Ian stand in for him. 213 00:11:10,501 --> 00:11:11,534 [DOOR OPENS] 214 00:11:13,033 --> 00:11:14,632 Sorry to bother you, Sarge. 215 00:11:14,634 --> 00:11:16,667 I've just had a report that someone's hit your car. 216 00:11:22,834 --> 00:11:24,298 Did anyone see who did it? 217 00:11:24,300 --> 00:11:27,534 - Sorry, Sarge. - They've left a note. 218 00:11:29,767 --> 00:11:31,699 "Anyone watching will think I'm leaving you 219 00:11:31,701 --> 00:11:33,165 my details, but I'm not. 220 00:11:33,167 --> 00:11:35,334 Sorry." 221 00:11:36,634 --> 00:11:39,334 Don't worry. I know a man who can help. 222 00:11:42,834 --> 00:11:45,098 NARRATOR: As Jane Stone comforted Matilda 223 00:11:45,100 --> 00:11:47,966 over the minor damage to her mother's car, 224 00:11:47,968 --> 00:11:50,198 Beth Stone was tracking down a car 225 00:11:50,200 --> 00:11:53,667 whose damage had been anything but minor. 226 00:11:56,934 --> 00:11:58,634 [TELEPHONE RINGING] 227 00:12:10,200 --> 00:12:11,665 OLLIE: Hello. Wildemarsh Autos. 228 00:12:11,667 --> 00:12:14,165 [SCOTTISH ACCENT] Is that Wildemarsh Auto Body Repairs? 229 00:12:14,167 --> 00:12:14,998 Speaking. 230 00:12:15,000 --> 00:12:17,098 To whom am I addressing? 231 00:12:17,100 --> 00:12:18,499 - It's Ollie. - Holly? 232 00:12:18,501 --> 00:12:19,866 - Ollie. - Oh, Ollie. 233 00:12:19,868 --> 00:12:22,098 - Yeah. - I'm so sorry. 234 00:12:22,100 --> 00:12:24,799 I have a cousin named Ollie. 235 00:12:24,801 --> 00:12:26,499 - Oh, you do, do you? - Do you know him? 236 00:12:26,501 --> 00:12:28,665 - I'm afraid not. - Lovely man. 237 00:12:28,667 --> 00:12:30,998 He can toss a caber further than anyone 238 00:12:31,000 --> 00:12:32,532 this side of the Tay. 239 00:12:32,534 --> 00:12:34,565 OLLIE: Fascinating. Uh, what's the point of your call? 240 00:12:34,567 --> 00:12:35,966 BETH: Point of my call? 241 00:12:35,968 --> 00:12:37,665 Well, I'm glad you asked me that. 242 00:12:37,667 --> 00:12:38,998 [HORN HONKS] 243 00:12:39,000 --> 00:12:40,565 Listen, why don't you just pop it 'round and... 244 00:12:40,567 --> 00:12:42,868 BETH: I-I have to go. Uh, be seeing you, laddie. 245 00:12:52,567 --> 00:12:53,699 [CHUCKLES] 246 00:12:53,701 --> 00:12:55,232 OLLIE: If you're looking for Cat, she's out. 247 00:12:55,234 --> 00:12:57,765 Actually, it's you we're after, Ollie. 248 00:12:57,767 --> 00:12:59,232 Someone's hit Matilda's car. 249 00:12:59,234 --> 00:13:01,699 I thought I recognized it. It was your mother's, wasn't it? 250 00:13:01,701 --> 00:13:02,832 MATILDA: Yeah. 251 00:13:02,834 --> 00:13:04,934 My dad did some of the restoration work. 252 00:13:07,067 --> 00:13:08,966 Why don't I see if I can get to it today. 253 00:13:08,968 --> 00:13:10,834 - MATILDA: Thank you. - [KEYS JINGLE] 254 00:13:12,968 --> 00:13:15,432 - Where to, then? - Back to the theater. 255 00:13:15,434 --> 00:13:16,866 I need a word with Ian Winterfield 256 00:13:16,868 --> 00:13:19,167 about his career as an understudy. 257 00:13:32,200 --> 00:13:34,567 [DISTORTED SPEECH] 258 00:13:46,701 --> 00:13:49,000 I knew I recognized you. 259 00:14:04,701 --> 00:14:06,434 [GRUNTING] 260 00:14:09,567 --> 00:14:11,065 Inspector Lambert? 261 00:14:11,067 --> 00:14:12,131 [GRUNTS] 262 00:14:12,133 --> 00:14:13,765 No. No, please. 263 00:14:13,767 --> 00:14:15,432 Sold out? 264 00:14:15,434 --> 00:14:17,765 Everything that's happened in the last couple of days 265 00:14:17,767 --> 00:14:20,998 has created a kind of macabre interest. 266 00:14:21,000 --> 00:14:22,465 IAN: Dr. Tyrell is a patsy! 267 00:14:22,467 --> 00:14:24,665 They're calling it the cursed play. 268 00:14:24,667 --> 00:14:27,065 IAN: You are t-the, um, 269 00:14:27,067 --> 00:14:29,165 uh, ah, um... 270 00:14:29,167 --> 00:14:31,365 No, no, no, don't help me. I know this bit. Um... 271 00:14:31,367 --> 00:14:32,465 I'm beginning to think it is. 272 00:14:32,467 --> 00:14:34,298 "You, Nurse Gilda, 273 00:14:34,300 --> 00:14:36,532 are the true director of the Macbeth Institute. 274 00:14:36,534 --> 00:14:37,932 You are the real Dr. Tyrell." 275 00:14:37,934 --> 00:14:38,966 Sorry! Sorry, right. 276 00:14:38,968 --> 00:14:42,300 You, Nurse Gilda, are the true director... 277 00:14:43,467 --> 00:14:47,065 You are the real Dr. Tyrell. 278 00:14:47,067 --> 00:14:48,932 I need to speak to Ian Winterfield. 279 00:14:48,934 --> 00:14:50,131 - With pleasure. - IAN: Um... 280 00:14:50,133 --> 00:14:52,532 URSULA: Okay, folks, we'll pause it there. 281 00:14:52,534 --> 00:14:56,332 Uh, Ian, Detective Sergeant Stone needs a word. 282 00:14:56,334 --> 00:14:58,334 Oh, uh, everything okay, Sergeant? 283 00:15:04,033 --> 00:15:06,599 I know it's hard to believe, looking at me now, 284 00:15:06,601 --> 00:15:10,632 but I was once considered a rising star. 285 00:15:10,634 --> 00:15:13,232 But I let it all go to my head. 286 00:15:13,234 --> 00:15:14,932 Drink, drugs. 287 00:15:14,934 --> 00:15:16,665 I was out of control. 288 00:15:16,667 --> 00:15:19,098 In the end, no one would work with me. 289 00:15:19,100 --> 00:15:20,599 I was a liability. 290 00:15:20,601 --> 00:15:22,932 Not even my agent would return my calls. 291 00:15:22,934 --> 00:15:25,398 And then Sir Lawrence offered you a job as his understudy? 292 00:15:25,400 --> 00:15:28,298 At first I was grateful. Truly. 293 00:15:28,300 --> 00:15:29,866 I thought if I kept my head down, 294 00:15:29,868 --> 00:15:32,232 paid my dues, all would be forgiven. 295 00:15:32,234 --> 00:15:34,632 I'd burned too many bridges. 296 00:15:34,634 --> 00:15:36,998 I ended up living my life in Sir Lawrence's shadow. 297 00:15:37,000 --> 00:15:38,599 It wouldn't even have been so bad, 298 00:15:38,601 --> 00:15:40,732 but he never once let me stand in for him. 299 00:15:40,734 --> 00:15:42,332 It got to the point where I stopped bothering 300 00:15:42,334 --> 00:15:43,198 to learn his lines. 301 00:15:43,200 --> 00:15:44,932 And now Sir Lawrence is dead, 302 00:15:44,934 --> 00:15:46,734 and you have his lead role. 303 00:15:48,501 --> 00:15:49,767 What? 304 00:15:51,267 --> 00:15:53,567 You can't possibly believe I killed him. 305 00:15:55,334 --> 00:15:57,599 Well, don't you think I'd be better prepared if I had? 306 00:15:57,601 --> 00:15:59,701 I am dying out there, okay? 307 00:16:05,000 --> 00:16:07,699 NARRATOR: While Matilda considered the desperate pleas 308 00:16:07,701 --> 00:16:10,899 of "The Macbeth Duality's" new leading man, 309 00:16:10,901 --> 00:16:15,031 Cat Stone continued her increasingly desperate search 310 00:16:15,033 --> 00:16:18,601 for the production's missing leading lady. 311 00:16:22,901 --> 00:16:26,866 Hi. Got a package for Amy Austen. 312 00:16:26,868 --> 00:16:28,799 [TYPING] 313 00:16:28,801 --> 00:16:30,832 There's no one here of that name. 314 00:16:30,834 --> 00:16:33,432 Oh, sorry, my mistake. It's uh, Joanna Lurch. 315 00:16:33,434 --> 00:16:34,966 [TYPING] 316 00:16:34,968 --> 00:16:36,799 Ah. Checked in yesterday. 317 00:16:36,801 --> 00:16:39,432 Great. Can you make sure she gets this? 318 00:16:39,434 --> 00:16:41,665 Um, where's the ladies'? 319 00:16:41,667 --> 00:16:42,968 Thanks. 320 00:16:44,501 --> 00:16:48,465 If Cat Stone had the computer skills of her sister Jane, 321 00:16:48,467 --> 00:16:51,098 she would have hacked the motel's computer system 322 00:16:51,100 --> 00:16:54,532 and found Joanna Lurch, alias Amy Austen. 323 00:16:54,534 --> 00:16:58,699 If Cat Stone had the patience of her sister Beth, 324 00:16:58,701 --> 00:17:01,565 she would have knocked on every door in the motel 325 00:17:01,567 --> 00:17:03,232 until she found, Joanna Lurch... 326 00:17:03,234 --> 00:17:05,532 BETH: Oh! Sorry, wrong room. 327 00:17:05,534 --> 00:17:08,133 ...alias Amy Austen. 328 00:17:09,701 --> 00:17:12,131 Unfortunately, for the Donquix Hotel, 329 00:17:12,133 --> 00:17:15,265 Cat Stone possessed neither of these skills. 330 00:17:15,267 --> 00:17:18,699 What she did possess, however, was... 331 00:17:18,701 --> 00:17:19,699 [ALARM RINGING] 332 00:17:19,701 --> 00:17:21,868 ...a powerful right hook. 333 00:17:23,133 --> 00:17:25,499 Amy. 334 00:17:25,501 --> 00:17:27,667 I'm not gonna have to chase you, am I? 335 00:17:30,267 --> 00:17:32,732 Sir Lawrence claimed I was only given the part 336 00:17:32,734 --> 00:17:34,398 'cause Uncle Kenneth insisted. 337 00:17:34,400 --> 00:17:36,098 And did he? 338 00:17:36,100 --> 00:17:37,467 I asked him yesterday. 339 00:17:38,601 --> 00:17:39,834 He says he didn't. 340 00:17:40,834 --> 00:17:42,801 But I know when he's lying. 341 00:17:44,033 --> 00:17:45,932 So I... 342 00:17:45,934 --> 00:17:46,934 I ran away. 343 00:17:47,968 --> 00:17:49,532 So you didn't go into hiding 344 00:17:49,534 --> 00:17:51,131 because you killed Quentin Glover? 345 00:17:51,133 --> 00:17:52,665 Quentin Glover's dead? 346 00:17:52,667 --> 00:17:53,801 You didn't know. 347 00:17:54,667 --> 00:17:55,998 Right, we've got to get you back. 348 00:17:56,000 --> 00:17:58,899 I'm not coming back. Ever. 349 00:17:58,901 --> 00:18:02,632 I can't face everyone knowing that I'm only there 350 00:18:02,634 --> 00:18:04,432 'cause of my uncle. 351 00:18:04,434 --> 00:18:05,499 Listen, kid. 352 00:18:05,501 --> 00:18:07,031 You're not gonna solve anything 353 00:18:07,033 --> 00:18:09,065 by running away from your problems. 354 00:18:09,067 --> 00:18:10,734 I learned that the hard way. 355 00:18:13,200 --> 00:18:16,165 Now, look... Pack your bags, meet me in reception. 356 00:18:16,167 --> 00:18:17,332 10 minutes. 357 00:18:17,334 --> 00:18:18,665 Where are you going? 358 00:18:18,667 --> 00:18:20,734 I've got to look into something. 359 00:18:22,033 --> 00:18:24,198 MAN: Some dos and don'ts. 360 00:18:24,200 --> 00:18:27,198 Firstly, smile. Make sure you're presentable. 361 00:18:27,200 --> 00:18:29,665 - WOMAN: Yes, always look happy. - MAN: There you go. 362 00:18:29,667 --> 00:18:31,465 Great smiling. Well done. 363 00:18:31,467 --> 00:18:33,599 Next, make sure you offer some drinks. 364 00:18:33,601 --> 00:18:37,467 WOMAN: Mm, offer her a drink first. It's polite. 365 00:18:38,901 --> 00:18:40,632 Uh, I think we should, uh... 366 00:18:40,634 --> 00:18:42,198 Would anyone like to be a volunteer? 367 00:18:42,200 --> 00:18:44,534 - Derek? Derek? Yeah? - Yep. 368 00:18:47,934 --> 00:18:49,465 - There you go. - Thank you. Thank you. 369 00:18:49,467 --> 00:18:51,632 Ah... 370 00:18:51,634 --> 00:18:52,868 [CLEARS THROAT] 371 00:18:54,400 --> 00:18:56,198 Um... 372 00:18:56,200 --> 00:18:59,799 Have you seen the new parking restrictions on the high street? 373 00:18:59,801 --> 00:19:01,734 They're quite... 374 00:19:02,734 --> 00:19:03,732 ...draconian. 375 00:19:03,734 --> 00:19:04,998 - CAT: [SNORTS] - Sorry. 376 00:19:05,000 --> 00:19:07,298 Sorry, that's... 377 00:19:07,300 --> 00:19:08,832 Do you want a drink? 378 00:19:08,834 --> 00:19:10,734 Um... 379 00:19:12,033 --> 00:19:15,432 So it wasn't due to me coming off my medication? 380 00:19:15,434 --> 00:19:18,265 Toxicology results show you were most likely drugged, 381 00:19:18,267 --> 00:19:19,599 possibly so the killer could have 382 00:19:19,601 --> 00:19:21,265 the backstage to themselves. 383 00:19:21,267 --> 00:19:24,634 I can't tell you how much of a relief that is to hear. 384 00:19:27,868 --> 00:19:29,667 How did that get there? 385 00:19:34,801 --> 00:19:39,465 I spoke to Dr. Lynch when he took my blood sample. 386 00:19:39,467 --> 00:19:43,031 He's gonna prescribe me some new mood stabilizers 387 00:19:43,033 --> 00:19:45,234 that won't affect my baby's development. 388 00:19:46,601 --> 00:19:47,799 He's rather nice, isn't he? 389 00:19:47,801 --> 00:19:50,265 Yes, he is. 390 00:19:50,267 --> 00:19:51,534 Rather. 391 00:19:54,334 --> 00:19:57,998 You, Nurse Gilda, are the true director 392 00:19:58,000 --> 00:19:59,765 of the Macbeth Institute. 393 00:19:59,767 --> 00:20:03,998 You are the real Dr. Tyrell. 394 00:20:04,000 --> 00:20:06,799 You're not 21. Your... 395 00:20:06,801 --> 00:20:08,298 "Your real age is 60." 396 00:20:08,300 --> 00:20:09,899 IAN: Your real age is 60. 397 00:20:09,901 --> 00:20:12,765 You used your own scientific methods 398 00:20:12,767 --> 00:20:14,098 to reclaim your youth. 399 00:20:14,100 --> 00:20:16,198 Matilda wondered whether Ian Winterfield's 400 00:20:16,200 --> 00:20:19,632 apparent failure to know his lines was poor acting, 401 00:20:19,634 --> 00:20:21,232 confirming his innocence, 402 00:20:21,234 --> 00:20:23,365 or great acting, confirming his guilt. 403 00:20:23,367 --> 00:20:26,465 So, go ahead, call me a fool. 404 00:20:26,467 --> 00:20:28,565 But what I can't work out 405 00:20:28,567 --> 00:20:31,632 is why you're not a hundred years old by now. 406 00:20:31,634 --> 00:20:33,699 Blanche may be too old for the part, 407 00:20:33,701 --> 00:20:35,765 but there is no denying she can act. 408 00:20:35,767 --> 00:20:40,499 Ha ha ha ha ha ha ha ha! 409 00:20:40,501 --> 00:20:43,131 Corporate didn't warn you? 410 00:20:43,133 --> 00:20:44,398 I can't age. 411 00:20:44,400 --> 00:20:48,567 Oh, we all age, Inspector, It's mankind's folly. 412 00:20:50,167 --> 00:20:54,601 Not if you're an android. 413 00:20:59,300 --> 00:21:00,801 Hello, everyone. 414 00:21:02,467 --> 00:21:03,400 Amy. 415 00:21:04,400 --> 00:21:06,832 I'm sorry for running out on you all, 416 00:21:06,834 --> 00:21:08,165 but I'm back now. 417 00:21:08,167 --> 00:21:09,866 And I promise I'm here to stay. 418 00:21:09,868 --> 00:21:12,298 Okay, everyone, take a loose five 419 00:21:12,300 --> 00:21:13,998 while we get Amy into costume. 420 00:21:14,000 --> 00:21:16,131 Uh, Blanche, thank you for standing in. 421 00:21:16,133 --> 00:21:17,198 Not a problem, darling. 422 00:21:17,200 --> 00:21:18,799 Nice to have you back, Amy. 423 00:21:18,801 --> 00:21:23,432 CCTV from the motel, proving Amy was in her room 424 00:21:23,434 --> 00:21:25,665 when Quentin Glover was killed. 425 00:21:25,667 --> 00:21:28,966 But Cat Stone wasn't the only one of Matilda's aunts 426 00:21:28,968 --> 00:21:31,332 to come bearing gifts. 427 00:21:31,334 --> 00:21:32,866 Mattie. 428 00:21:32,868 --> 00:21:34,065 Aunt Beth. 429 00:21:34,067 --> 00:21:35,799 Quentin Glover's notebook, 430 00:21:35,801 --> 00:21:38,765 proving that he was going to write a positive article. 431 00:21:38,767 --> 00:21:41,031 And I've discovered the identity of the man 432 00:21:41,033 --> 00:21:42,131 they were with in the pub. 433 00:21:42,133 --> 00:21:44,701 - Trevor McKee. - The property developer. 434 00:21:46,167 --> 00:21:49,234 Mr. Ridley, we need to talk. 435 00:21:51,400 --> 00:21:54,265 My theater's been losing money for years, 436 00:21:54,267 --> 00:21:56,232 I only survive because of council grants. 437 00:21:56,234 --> 00:22:01,232 Trevor McKee wanted to redevelop the place into luxury condos. 438 00:22:01,234 --> 00:22:02,298 So why didn't you sell? 439 00:22:02,300 --> 00:22:04,332 Council refused, said we were part 440 00:22:04,334 --> 00:22:07,665 of Wildemarsh's cultural heritage. 441 00:22:07,667 --> 00:22:10,098 Then Trevor came up with a plan... 442 00:22:10,100 --> 00:22:12,732 persuade the council to invest in a big play, 443 00:22:12,734 --> 00:22:13,998 then sabotage it 444 00:22:14,000 --> 00:22:15,732 so they'd lose their money when the show canned. 445 00:22:15,734 --> 00:22:17,899 Which explains why everything's been going so wrong. 446 00:22:17,901 --> 00:22:19,398 I was to propose selling the theater 447 00:22:19,400 --> 00:22:21,298 and offer to use some of the proceeds 448 00:22:21,300 --> 00:22:23,966 to repay the council the money they'd lost. 449 00:22:23,968 --> 00:22:25,799 In exchange for granting planning permission. 450 00:22:25,801 --> 00:22:28,799 When Sir Lawrence approached me to put on his play, 451 00:22:28,801 --> 00:22:31,131 the council practically threw money at me. 452 00:22:31,133 --> 00:22:33,198 So you bribed Quentin Glover 453 00:22:33,200 --> 00:22:35,765 to write a negative article slating the play? 454 00:22:35,767 --> 00:22:38,131 But then Quentin was murdered 455 00:22:38,133 --> 00:22:40,000 and ticket sales went through the roof. 456 00:22:41,133 --> 00:22:44,834 25 years I've been trying and failing to put on a hit show. 457 00:22:46,601 --> 00:22:48,667 Now that I'm trying to fail... 458 00:22:49,968 --> 00:22:51,300 ...I can't. 459 00:23:09,534 --> 00:23:12,532 Still no closer to figuring out who the murderer might be? 460 00:23:12,534 --> 00:23:15,098 Three people have an alibi for Quentin Glover's murder. 461 00:23:15,100 --> 00:23:17,499 Fiona Hutton, who was in a police cell at the time, 462 00:23:17,501 --> 00:23:19,232 Amy Austen, who was in the hotel, 463 00:23:19,234 --> 00:23:22,232 and Dame Blanche, who we all saw onstage. 464 00:23:22,234 --> 00:23:24,432 So it has to be one of the other three suspects 465 00:23:24,434 --> 00:23:25,699 who were in the vicinity. 466 00:23:25,701 --> 00:23:26,866 So? 467 00:23:26,868 --> 00:23:29,632 So, I'm not convinced any of them did it. 468 00:23:29,634 --> 00:23:30,866 Ready for opening night? 469 00:23:30,868 --> 00:23:33,165 Oh, don't. I'm nervous enough as it is. 470 00:23:33,167 --> 00:23:34,966 Stop worrying. It'll be fine. 471 00:23:34,968 --> 00:23:37,065 Mattie? 472 00:23:37,067 --> 00:23:39,932 Ah, I just need a few more minutes. 473 00:23:39,934 --> 00:23:42,100 - I'll... I'll meet you there? - Okay. 474 00:23:56,334 --> 00:23:58,232 URSULA ON P.A.: Audience members are reminded 475 00:23:58,234 --> 00:23:59,732 to switch off their mobile phones 476 00:23:59,734 --> 00:24:01,298 and that the taking of photographs 477 00:24:01,300 --> 00:24:03,701 during the performance is strictly prohibited. 478 00:24:05,667 --> 00:24:06,932 Hello, Ken. 479 00:24:06,934 --> 00:24:10,866 Councilor Bradley, glad you could make it. 480 00:24:10,868 --> 00:24:12,234 Oh! 481 00:24:14,200 --> 00:24:16,167 I got this. 482 00:24:19,200 --> 00:24:22,400 "Helping the over-50s get back out there." 483 00:24:23,767 --> 00:24:26,031 I never imagined you lacking confidence 484 00:24:26,033 --> 00:24:28,131 when it comes to dating. 485 00:24:28,133 --> 00:24:31,131 It's not for me. 486 00:24:31,133 --> 00:24:33,665 Why would I want to attend something like this? 487 00:24:33,667 --> 00:24:35,298 Because you're not dead yet. 488 00:24:35,300 --> 00:24:38,298 And the last time you went on a date, flares were still in. 489 00:24:38,300 --> 00:24:40,601 Thanks, but I'm fine as I am. 490 00:24:45,534 --> 00:24:46,998 I'm so nervous. 491 00:24:47,000 --> 00:24:48,131 Oh, don't be, don't be, don't be. 492 00:24:48,133 --> 00:24:50,133 It's gonna be absolutely brilliant. 493 00:24:58,133 --> 00:25:00,799 As she caught her own reflection, 494 00:25:00,801 --> 00:25:02,499 Matilda suddenly understood 495 00:25:02,501 --> 00:25:04,599 how Quentin Glover had been murdered. 496 00:25:04,601 --> 00:25:06,031 Of course. 497 00:25:06,033 --> 00:25:11,100 And she knew that Amy Austen was in mortal danger. 498 00:25:14,133 --> 00:25:16,031 I'm so nervous. 499 00:25:16,033 --> 00:25:17,365 You'll be fine. 500 00:25:17,367 --> 00:25:20,265 - 30 seconds. - Good luck. 501 00:25:20,267 --> 00:25:24,332 I thought it was meant to be bad luck to say good luck. 502 00:25:24,334 --> 00:25:25,799 Don't you mean break a leg? 503 00:25:25,801 --> 00:25:28,599 In which case, break a leg. 504 00:25:28,601 --> 00:25:29,801 Okay. 505 00:26:14,133 --> 00:26:18,265 iDetective Inspector Henry Lambert for Dr. Tyrell. 506 00:26:18,267 --> 00:26:20,866 Can I ask what it's regarding? 507 00:26:20,868 --> 00:26:23,665 We've received reports of an escaped inmate. 508 00:26:23,667 --> 00:26:27,599 At the Macbeth Institute, we prefer to call them patients. 509 00:26:27,601 --> 00:26:30,398 Ha ha ha ha ha ha ha! 510 00:26:30,400 --> 00:26:33,699 And I prefer to call a spanner 511 00:26:33,701 --> 00:26:35,832 a-a-a wrench. 512 00:26:35,834 --> 00:26:37,632 [LAUGHTER] 513 00:26:37,634 --> 00:26:39,534 You lose one or not, sister? 514 00:26:45,667 --> 00:26:48,465 You investigating on behalf of Cain Securities? 515 00:26:48,467 --> 00:26:50,532 On behalf of the police. 516 00:26:50,534 --> 00:26:52,332 Since law enforcement was privatized, 517 00:26:52,334 --> 00:26:55,098 Cain Securities runs the police. 518 00:26:55,100 --> 00:26:58,767 We're all part of the same family now, Inspector. 519 00:27:03,968 --> 00:27:05,966 Cain Securities is ma and pa, 520 00:27:05,968 --> 00:27:09,365 and, sibling rivalries aside, 521 00:27:09,367 --> 00:27:10,866 I think you'll find there's one place 522 00:27:10,868 --> 00:27:13,265 where family loyalty's well rewarded. 523 00:27:13,267 --> 00:27:14,400 Catch my drift... 524 00:27:15,400 --> 00:27:16,634 ...brother? 525 00:27:18,501 --> 00:27:20,131 [GASPS, GRUNTS] 526 00:27:20,133 --> 00:27:21,300 AMY: Aah! 527 00:27:22,367 --> 00:27:23,565 - Ooh! - [AUDIENCE GASPS] 528 00:27:23,567 --> 00:27:25,098 - [GASPS] - Mattie! 529 00:27:25,100 --> 00:27:26,131 Stone! 530 00:27:26,133 --> 00:27:27,834 Matilda! 531 00:27:28,567 --> 00:27:31,601 Curtains! Close the curtains! 532 00:27:33,534 --> 00:27:34,834 Let's go. 533 00:27:35,868 --> 00:27:37,534 Daniel. Daniel! 534 00:27:43,734 --> 00:27:46,332 Mattie! Be careful! 535 00:27:46,334 --> 00:27:48,232 I know you didn't mean to kill Sir Lawrence. 536 00:27:48,234 --> 00:27:50,899 Your real target was Amy, but Sir Lawrence misread his cue 537 00:27:50,901 --> 00:27:53,332 and ended up standing in Amy's place by mistake. 538 00:27:53,334 --> 00:27:54,632 Aah! 539 00:27:54,634 --> 00:27:56,866 Well, how I was to know they'd mess up their cues? 540 00:27:56,868 --> 00:27:58,465 So unprofessional! 541 00:27:58,467 --> 00:28:00,133 [GRUNTING] 542 00:28:00,868 --> 00:28:02,765 - MATILDA: Oh! - [PEOPLE GASPING] 543 00:28:02,767 --> 00:28:05,033 [GRUNTING CONTINUES] 544 00:28:08,400 --> 00:28:09,799 CAT: Right hook, Mattie! 545 00:28:09,801 --> 00:28:11,000 [GROANS] 546 00:28:14,801 --> 00:28:16,365 It's time to give yourself up. 547 00:28:16,367 --> 00:28:19,000 Never. Be seeing you, Sergeant. 548 00:28:28,534 --> 00:28:30,367 [PANTING] 549 00:28:38,334 --> 00:28:40,601 It's over, Dame Blanche. 550 00:28:45,667 --> 00:28:47,300 [CHUCKLES] 551 00:28:50,367 --> 00:28:52,465 One final aria? 552 00:28:52,467 --> 00:28:55,699 Allow me my confession? 553 00:28:55,701 --> 00:28:57,167 Please? 554 00:29:04,868 --> 00:29:07,133 [SIGHS] All right. 555 00:29:31,267 --> 00:29:33,932 DAME BLANCHE: When Sir Lawrence sent me the script, 556 00:29:33,934 --> 00:29:37,232 I assumed he wanted me to play the lead. 557 00:29:37,234 --> 00:29:41,265 We always played opposite each other. 558 00:29:41,267 --> 00:29:44,232 But on the first day of rehearsals, 559 00:29:44,234 --> 00:29:47,465 he told me I was to play Dr. Tyrell. 560 00:29:47,467 --> 00:29:49,398 I was horrified. 561 00:29:49,400 --> 00:29:53,832 Larry was five years older than me. 562 00:29:53,834 --> 00:29:57,198 Producers still wanted him to play the leading man 563 00:29:57,200 --> 00:30:01,300 but stopped offering me leading roles when I reached 40. 564 00:30:03,234 --> 00:30:05,832 How's that fair? Hmm? 565 00:30:05,834 --> 00:30:10,699 I'm still the same woman who sold out the West End, 566 00:30:10,701 --> 00:30:15,265 the same woman who won three Olivier Awards, 567 00:30:15,267 --> 00:30:19,465 received 27 standing ovations 568 00:30:19,467 --> 00:30:21,499 on the opening night of "Hedda Gabler." 569 00:30:21,501 --> 00:30:23,398 I'm still the same woman. 570 00:30:23,400 --> 00:30:27,265 Just older. 571 00:30:27,267 --> 00:30:30,765 And because I dare to be old, I've been swept aside, 572 00:30:30,767 --> 00:30:34,832 forced to make way for a more acceptable face. 573 00:30:34,834 --> 00:30:38,932 I'm no longer an object of desire, of strength. 574 00:30:38,934 --> 00:30:42,765 I'm to be pitied. Ridiculed. 575 00:30:42,767 --> 00:30:44,200 Or worse, ignored. 576 00:30:45,634 --> 00:30:48,765 - I know what I did was wrong. - [SNIFFLING] 577 00:30:48,767 --> 00:30:50,065 Oi. 578 00:30:50,067 --> 00:30:51,832 Forgive me. 579 00:30:51,834 --> 00:30:53,634 I just wanted... 580 00:30:54,801 --> 00:30:56,367 ...needed... 581 00:30:57,367 --> 00:31:00,499 ...one more chance to be center stage, 582 00:31:00,501 --> 00:31:04,501 one more chance to show the world I'm still here. 583 00:31:06,367 --> 00:31:08,501 One more chance... 584 00:31:09,501 --> 00:31:14,601 ...to be the woman I was. 585 00:31:30,200 --> 00:31:31,198 MAN: Brava! 586 00:31:31,200 --> 00:31:33,167 [CHEERING] 587 00:31:44,968 --> 00:31:46,298 Why are they clapping? 588 00:31:46,300 --> 00:31:49,165 She's practically admitted to murder. 589 00:31:49,167 --> 00:31:51,832 We know that, but they don't. 590 00:31:51,834 --> 00:31:53,665 They think this is part of the show. 591 00:31:53,667 --> 00:31:54,799 - Yeah. - Well done. 592 00:31:54,801 --> 00:31:57,067 - Thanks. Thanks a lot, yeah. - Well done. 593 00:32:03,167 --> 00:32:04,667 Thank you. 594 00:32:41,501 --> 00:32:43,465 [CAR DOOR OPENS, CLOSES] 595 00:32:43,467 --> 00:32:45,932 Did she say how Quentin Glover was caught up in it all? 596 00:32:45,934 --> 00:32:47,465 [SIREN CHIRPS] 597 00:32:47,467 --> 00:32:50,932 She persuaded him to get rid of Amy so she could take her role. 598 00:32:50,934 --> 00:32:53,765 Don't imagine it took much persuading. 599 00:32:53,767 --> 00:32:56,499 MATILDA: While Dame Blanche distracted Fiona Hutton, 600 00:32:56,501 --> 00:32:58,332 Quentin spiked her drink 601 00:32:58,334 --> 00:33:01,167 so he could have backstage to himself. 602 00:33:10,334 --> 00:33:12,968 Okay, lovely. Thank you, darling. 603 00:33:19,534 --> 00:33:21,699 Then he listened out for the line of dialogue 604 00:33:21,701 --> 00:33:25,065 that told him Amy would be directly under the sandbag. 605 00:33:25,067 --> 00:33:26,465 SIR LAWRENCE: A fountain of youth 606 00:33:26,467 --> 00:33:29,799 for those with deep pockets and shallow morals. 607 00:33:29,801 --> 00:33:33,532 The opportunity to live as a god. 608 00:33:33,534 --> 00:33:35,632 Light without darkness. 609 00:33:35,634 --> 00:33:38,298 Existence without fear. 610 00:33:38,300 --> 00:33:41,232 Life without end. 611 00:33:41,234 --> 00:33:42,599 BETH: Look out! 612 00:33:42,601 --> 00:33:45,133 Except Sir Lawrence got his cue wrong. 613 00:33:48,434 --> 00:33:51,832 He stole Amy's lines and ended up standing in the wrong place 614 00:33:51,834 --> 00:33:52,998 at the wrong time. 615 00:33:53,000 --> 00:33:54,632 Aah! 616 00:33:54,634 --> 00:33:57,432 I said at the start this wasn't an accident, it was murder, 617 00:33:57,434 --> 00:33:59,131 but I was wrong. 618 00:33:59,133 --> 00:34:02,465 It was an accident, and it was murder. 619 00:34:02,467 --> 00:34:05,799 Killing Sir Lawrence was never part of the plan. 620 00:34:05,801 --> 00:34:08,365 Quentin panicked. He wanted to hand himself in. 621 00:34:08,367 --> 00:34:11,065 He was even prepared to take the rap 622 00:34:11,067 --> 00:34:13,398 without mentioning Dame Blanche's involvement, 623 00:34:13,400 --> 00:34:17,131 but the risk was too great for her to take. 624 00:34:17,133 --> 00:34:20,298 No matter how loyal Quentin was, there was always the chance 625 00:34:20,300 --> 00:34:21,667 he could crack under questioning. 626 00:34:23,534 --> 00:34:27,165 After hearing about Amy's attack on Quentin's car, 627 00:34:27,167 --> 00:34:30,499 Dame Blanche decided to kill two birds with one stone and set 628 00:34:30,501 --> 00:34:32,198 Amy up for killing Quentin. 629 00:34:32,200 --> 00:34:33,200 Hello? 630 00:34:35,968 --> 00:34:38,000 Blanche? 631 00:34:44,334 --> 00:34:47,067 Sure this is where you want to meet? 632 00:34:50,133 --> 00:34:51,601 Sorry, darling. 633 00:34:53,767 --> 00:34:55,300 [GASPS] 634 00:34:56,567 --> 00:34:58,167 Nothing personal. 635 00:34:59,434 --> 00:35:00,567 [GASPS] 636 00:35:12,467 --> 00:35:13,699 When Amy went missing, 637 00:35:13,701 --> 00:35:15,866 it looked like Dame Blanche's plan had worked. 638 00:35:15,868 --> 00:35:18,866 Kenneth Ridley virtually begged her to take Amy's role. 639 00:35:18,868 --> 00:35:20,332 Until I brought Amy back. 640 00:35:20,334 --> 00:35:25,232 Which is when she decided to go back to plan A and kill Amy. 641 00:35:25,234 --> 00:35:28,365 What I don't understand is how she raised the platform 642 00:35:28,367 --> 00:35:30,732 when we all saw her onstage at the time. 643 00:35:30,734 --> 00:35:32,465 We only thought we saw her. 644 00:35:32,467 --> 00:35:34,699 What we actually saw was a ghost. 645 00:35:34,701 --> 00:35:36,832 - A ghost? - Pepper's ghost. 646 00:35:36,834 --> 00:35:40,799 I saw Fiona Hutton moving a sheet of Perspex backstage. 647 00:35:40,801 --> 00:35:43,932 It had been there all along. I just hadn't noticed. 648 00:35:43,934 --> 00:35:46,966 Dame Blanche used to be a magician's assistant. 649 00:35:46,968 --> 00:35:48,932 She was well versed with the trick. 650 00:35:48,934 --> 00:35:52,432 The strange wave she gave us when we arrived 651 00:35:52,434 --> 00:35:53,932 wasn't a wave at all, 652 00:35:53,934 --> 00:35:57,432 it was her pulling the lever for a mechanical platform 653 00:35:57,434 --> 00:35:59,832 carrying the corpse of Quentin Glover. 654 00:35:59,834 --> 00:36:02,432 She used the Perspex to bounce her reflection 655 00:36:02,434 --> 00:36:05,065 onto the stage to make it look as if she was there 656 00:36:05,067 --> 00:36:06,265 when she wasn't. 657 00:36:06,267 --> 00:36:07,866 With the four of us as witnesses, 658 00:36:07,868 --> 00:36:09,499 she had the perfect alibi. 659 00:36:09,501 --> 00:36:12,866 The whole thing was done with smoke and mirrors. 660 00:36:12,868 --> 00:36:15,332 Sergeant, what you did back there, 661 00:36:15,334 --> 00:36:17,532 climbing after Dame Blanche, that showed real... 662 00:36:17,534 --> 00:36:19,298 - Guts. - Fortitude. 663 00:36:19,300 --> 00:36:21,665 Balls. 664 00:36:21,667 --> 00:36:23,499 Quite. 665 00:36:23,501 --> 00:36:24,732 Well done. 666 00:36:24,734 --> 00:36:26,465 Thank you, sir. 667 00:36:26,467 --> 00:36:28,100 Ladies. 668 00:36:35,467 --> 00:36:37,567 [INDISTINCT CONVERSATIONS] 669 00:36:40,667 --> 00:36:42,232 You're an unlikely hit. 670 00:36:42,234 --> 00:36:44,098 Despite my best efforts. 671 00:36:44,100 --> 00:36:46,265 - You don't seem upset. - I'm not. 672 00:36:46,267 --> 00:36:50,565 Whether I like it or not, this theater's in my blood. 673 00:36:50,567 --> 00:36:53,998 I was a fool to ever consider selling it. 674 00:36:54,000 --> 00:36:55,832 "The chemistry between Amy Austen 675 00:36:55,834 --> 00:36:58,031 and Ian Winterfield is undeniable." 676 00:36:58,033 --> 00:37:00,131 There you go. No, the next bit. Read the next bit. 677 00:37:00,133 --> 00:37:02,632 "They might just be the next Sir Lawrence and Dame Blanche." 678 00:37:02,634 --> 00:37:06,901 Except without all the murder and death and stuff. 679 00:37:08,701 --> 00:37:09,765 Yeah, the... 680 00:37:09,767 --> 00:37:10,634 [LAUGHS] 681 00:37:12,501 --> 00:37:13,998 So the theater's safe. 682 00:37:14,000 --> 00:37:16,765 Council have agreed funding for the next five years, 683 00:37:16,767 --> 00:37:19,298 as well as giving us a restoration grant. 684 00:37:19,300 --> 00:37:20,968 And what about you? 685 00:37:23,501 --> 00:37:24,966 I was a single mother. 686 00:37:24,968 --> 00:37:28,432 It's not always easy, and, uh, me and Annie, 687 00:37:28,434 --> 00:37:30,834 well, we don't always see eye to eye, but, uh... 688 00:37:39,133 --> 00:37:40,932 So have you told her? 689 00:37:40,934 --> 00:37:42,599 What? 690 00:37:42,601 --> 00:37:46,098 Um, we have arranged a date for this evening. 691 00:37:46,100 --> 00:37:47,732 Uh, I don't need another blind date. 692 00:37:47,734 --> 00:37:49,365 Mm. This one's different. 693 00:37:49,367 --> 00:37:52,866 We realize the last two didn't work out as expected, 694 00:37:52,868 --> 00:37:56,200 but we are positive that this one will. 695 00:38:04,033 --> 00:38:05,567 OLLIE: Good as new. 696 00:38:06,567 --> 00:38:08,432 - How much do I owe you? - You're kidding. 697 00:38:08,434 --> 00:38:10,565 My landlord would kill me if I took any money off you. 698 00:38:10,567 --> 00:38:11,966 I heard that. 699 00:38:11,968 --> 00:38:13,565 Thank you. 700 00:38:13,567 --> 00:38:14,534 Anytime. 701 00:38:16,334 --> 00:38:18,699 Thank you, Aunt Cat. 702 00:38:18,701 --> 00:38:20,534 Told you before, it's just Cat. 703 00:38:25,934 --> 00:38:27,767 [ENGINE STARTS] 704 00:38:33,968 --> 00:38:36,267 I found these in the car door! 705 00:38:48,334 --> 00:38:49,665 OLLIE: Cat? 706 00:38:49,667 --> 00:38:51,601 Yeah, Ollie, come up. 707 00:38:58,000 --> 00:38:59,098 Hi. 708 00:38:59,100 --> 00:39:00,699 Oh, you scrub up well. 709 00:39:00,701 --> 00:39:03,131 Thanks. Big date tonight. 710 00:39:03,133 --> 00:39:04,901 Oh, yeah, I forgot. Good luck. 711 00:39:06,000 --> 00:39:09,232 I found this hidden in a door panel of Matilda's car 712 00:39:09,234 --> 00:39:11,098 when I took it off. 713 00:39:11,100 --> 00:39:12,098 Looks old. 714 00:39:12,100 --> 00:39:15,031 The door panel? That's odd. 715 00:39:15,033 --> 00:39:16,632 Oh, yeah, leave it with me. 716 00:39:16,634 --> 00:39:18,067 I'll, um... I'll make sure she gets it. 717 00:39:19,734 --> 00:39:21,767 - Have fun. - I will. 718 00:40:01,367 --> 00:40:02,834 [SIGHS] 719 00:40:12,734 --> 00:40:14,267 [DOORBELL RINGS] 720 00:40:22,601 --> 00:40:23,799 Inspector Thorne. 721 00:40:23,801 --> 00:40:25,599 I-It's Derek. 722 00:40:25,601 --> 00:40:28,765 My name's Derek. Um... 723 00:40:28,767 --> 00:40:32,332 I was wondering if you'd, uh... 724 00:40:32,334 --> 00:40:35,098 - Um, whether... whether you'd... - Yes? 725 00:40:35,100 --> 00:40:38,465 ...w-whether you'd, uh, 726 00:40:38,467 --> 00:40:41,465 dropped these flowers. 727 00:40:41,467 --> 00:40:43,065 I saw them by your door. 728 00:40:43,067 --> 00:40:45,899 No. They're not mine. 729 00:40:45,901 --> 00:40:46,899 Oh. 730 00:40:46,901 --> 00:40:49,334 Night. 731 00:40:57,968 --> 00:41:00,899 NARRATOR: At the very same moment that Inspector Thorne 732 00:41:00,901 --> 00:41:05,565 was regretting not asking Jane Stone out on a date, 733 00:41:05,567 --> 00:41:09,634 Matilda was starting to regret going on a date at all. 734 00:41:24,367 --> 00:41:25,467 Matilda! 735 00:41:27,834 --> 00:41:29,868 Are you okay? 736 00:41:34,701 --> 00:41:36,298 Please don't take this the wrong way, 737 00:41:36,300 --> 00:41:40,100 but would you mind if I didn't join you this evening? 738 00:41:41,234 --> 00:41:42,465 Uh, okay. 739 00:41:42,467 --> 00:41:43,467 It's just, um... 740 00:41:45,200 --> 00:41:46,767 You see, there's... 741 00:41:47,767 --> 00:41:50,966 ...someone I like. 742 00:41:50,968 --> 00:41:52,065 [CLEARS THROAT] 743 00:41:52,067 --> 00:41:54,067 But it's complicated. 744 00:41:55,100 --> 00:41:56,732 You understand, don't you? 745 00:41:56,734 --> 00:41:59,834 I, uh, think so? 746 00:42:02,934 --> 00:42:03,934 Thank you. 747 00:42:17,701 --> 00:42:20,165 Cheers. 748 00:42:20,167 --> 00:42:22,834 So, tell me about yourself. 749 00:42:32,667 --> 00:42:34,365 Natasha keeping you waiting? 750 00:42:34,367 --> 00:42:37,534 Actually, Natasha and I have decided to take a break. 751 00:42:39,100 --> 00:42:40,699 You don't have the time, do you? 752 00:42:40,701 --> 00:42:42,298 It's nearly 7:30. 753 00:42:42,300 --> 00:42:45,367 I think I may have been stood up. 754 00:43:00,467 --> 00:43:02,567 We got your message. 755 00:43:04,734 --> 00:43:06,198 [SIGHS] 756 00:43:06,200 --> 00:43:08,067 So, we all agreed? 757 00:43:09,601 --> 00:43:11,133 Yeah. 758 00:43:14,067 --> 00:43:15,400 Yeah. 759 00:43:45,100 --> 00:43:49,465 As Beth, Cat, and Jane Stone attempted to close the door 760 00:43:49,467 --> 00:43:52,765 on aspects of their missing sister's past, 761 00:43:52,767 --> 00:43:54,298 their beloved niece, Matilda, 762 00:43:54,300 --> 00:43:57,332 found herself inextricably drawn to a place 763 00:43:57,334 --> 00:44:00,265 she felt certain would open the next door 764 00:44:00,267 --> 00:44:03,000 in solving her mother's disappearance. 765 00:44:06,767 --> 00:44:08,665 [TAPPING] 766 00:44:08,667 --> 00:44:11,298 But if Matilda's return to Wildemarsh 767 00:44:11,300 --> 00:44:13,031 had taught her anything, 768 00:44:13,033 --> 00:44:15,499 it was that life was fragile... 769 00:44:15,501 --> 00:44:17,165 [CREAKING] 770 00:44:17,167 --> 00:44:19,732 ...and that knowledge was everything. 771 00:44:19,734 --> 00:44:21,534 [CAWS] 772 00:44:24,300 --> 00:44:25,801 [THUD ECHOES] 773 00:44:30,400 --> 00:44:32,133 [TOOL WHIRRING] 774 00:44:36,634 --> 00:44:37,832 [CAWS] 775 00:44:37,834 --> 00:44:38,968 [TAPPING] 776 00:44:39,534 --> 00:44:42,332 "Maybe," thought Matilda, 777 00:44:42,334 --> 00:44:44,634 "some doors shouldn't be opened." 778 00:44:46,534 --> 00:44:51,265 At least, not until she was sure of what she would find 779 00:44:51,267 --> 00:44:53,434 on the other side. 780 00:45:06,133 --> 00:45:08,332 [CREAKING CONTINUES] 781 00:45:08,334 --> 00:45:10,200 [DOWN-TEMPO MUSIC PLAYING] 782 00:45:47,688 --> 00:45:52,688 Subtitles by explosiveskull 783 00:45:52,738 --> 00:45:57,288 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0